Many of the rules for engaging portraits apply to group shots too. So keep in mind everything that you’ve learned so far while preparing for this assignment.

Figure 3 uses the classic “triangle” composition for a threeperson
group shot. Notice that distracting background elements
are kept to a minimum. The subjects are positioned in
the shade to eliminate harsh shadows on the face and
squinty eyes. A fill flash is used for even front illumination.

Outdoor group shot beneath a shady tree with fill flash (f-5.6 at 1/80th of a second)

The first challenge is to arrange the group into a decent composition. If you’ve ever participated in a wedding, you know this drill. Remind everyone in the shot that they need to have a clear  view of the camera. If they can’t see the camera, then the camera won’t be able to see them. Next, position people as close as possible. Group shot participants tend to stand too far
apart. That might look OK in real life, but the camera accentuates the distance between people and the result looks awkward. Plus, you can’t afford to have this shot span as wide as a football field, or you’ll never see people’s faces unless you enlarge the image to poster size.
Remember to take lots of shots—for large groups, a minimum of five frames. This gives you a chance to overcome blinking eyes, sudden head turns, bad smiles, and unexpected gusts of wind ruining your pictures. Before pressing the shutter button, quickly scan the group looking for little annoyances that will drive you crazy later: crooked ties, sloppy hair, and turned-up collars will make you insane during post production. Finally, work quickly. You’re not John Ford making the great American epic, so don’t act like it. Keep things moving for the sake of your subjects (and for your own tired feet).

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